Cythra from the cross topping over the icon screen featuring The Virgin
	
	
		Type: 
		
		
		
		
		
		
		Plastic iconographical object:
			
			
			
			Cythra
			
		
		
		
	
	
	Period: 
	
	
	From
	
		
		the beginning of the
		
		
		
		
		
		17 century
	
	
	
	
	to
	
		
		
		
		the end of the
		
		
		
		17 century
	
	
	
	
	
		
		
	
	
		School: Unknown
	
	
		Dimmensions (cm): 
		
		31
		
		
		/ 24
				
		
	
	
		Location
		
			Country: Bulgaria
		
		
			Province: Sofia
		
		
			Town: Sofia
		
		
		
		
		
		
		
			Museum: National History Museum
		
		
		
	
	
		Source
		
			Country: Bulgaria
		
		
		
		
		
		
		
		
		
		
		
			Other source: Others
		
	
	
	Object identification notes
	The cross topping over the icon screen brings together the cross and the Crucifixion in the middle. To the left and to the right there are two cythri featuring John the Divine and Virgin Mary who lament over Christ crucified. Christ crowns the icon screen and is a symbol of the sacrifice made for the salvation of the human race.
This work illustrates the tendencies in the primitive provincial art and its kinship to popular art where depiction of human figures and geometric patterns are in perfect harmony.
	
	
	Description
	The cythra  depicts Virgin Mary together with Mary of Magdala who is a participant in this scene but is not a stock character in The Crucifixion on the icon screen cross topping. The arch of the cythra on the top is formed by three plastic crosses that form a triangle with lilies in-between them. The carved, graphic floral motifs are gilded; the background below them is dark-blue. Corded carved pillars support the yoke-shaped arch below this plastic decoration. The free fields off the depiction are occupied by motley simple linear decoration against a blue background. Virgin Mary and Mary of Magdala lamenting Christ are depicted in full size amidst this intricate decoration in the central field against yellow background in the lower part and dark-blue background in the upper part. Virgin Mary wears a blue chiton and an orange maphorion; Mary of Magdala wears a dark-blue chiton and a claret maphorion.
	
	
		Iconographical technique: Carving
		
			Tempera
		
	
	
		Base material: Wood