The Baptism of Jesus Christ
	
	
		Type: 
		
		Icon
		
		
		
		
		
		
		
		
	
	
	Period: 
		
	
		
		
		
		The end of the
		
		
		
		18 century
	
	
	
	
	
	
	
		
		
	
	
		
	
	
		Dimmensions (cm): 
		
		45.5
		
		
		/ 34
				
		
		/ 2
		
	
	
		Location
		
			Country: Bulgaria
		
		
			Province: Blagoevgrad
		
		
			Town: Bansko
		
		
		
		
		
		
		
			Museum: Museum complex
		
		
		
	
	
		Source
		
			Country: Bulgaria
		
		
			Province: Blagoevgrad
		
		
		
			Village: Osenovo
		
		
		
			Church: St. Archangel Michael
		
		
		
		
		
		
	
	
	
	Description
	This is the traditional treatment of the theme, Christ being portrayed in the center of the composition with his feet in the river Jordan. To his left, painted on a rock, is St. John the Baptist, who is administering the baptism, and there is on the right-hand side a group of angels. Above Christ, in the midst of clouds, is God Sabaoth (God the Father). The background is a blue one, brightening towards the horizon. Down below, on the left-hand side, there is a small figure, carrying a clam-shell. This is the traditional way in the iconography to symbolize the waters of the river Jordan, wherein Jesus Christ had been baptized.
	
	
		Iconographical technique: Tempera
		
			The varnish cover is laid unevenly.
		
	
	
		Base material: Wood
		
			The icon's base is made of two oak panels with two inserted beams of the same material. The panels are disjoined at a distance of about 2 - 3 mm from one another, as a result of their drying up. The ground coat is of plaster, laid thinly, its thickness varying between 0,2 and 0,5 mm. It is applied without any canvas, directly on the base.
		
	
	
	State, restoration traces and comments
	There are no traces of any previous restoration work.
The varnish cover is laid unevenly, this leading to an uneven spoiling of the surface as well. There is a certain darkening all over the surface of the painting. There are, in the icon's lower part, lacks of ground coat and of pigment layer. The same lacks exist also at the places of the joining of the two panels and along the entire length of the surrounding frame. There are partial lacks of ground coat and of pigment layer in the icon's left upper corner, on the beard of St. John the Forerunner, on the nimbus and on the figure of Christ.
	
 
	
	