The Ascension of Christ
	
	
		Type: 
		
		Icon
		
		
		
		
		
		
		
		
	
	
	Period: 
	
	
	From
	
	
	
	
	to
	
	
		
		
		1843 year
	
	
	
	
		
		
			Dimiter T. Molerov, born in 1780 in Bansko, son of Toma Vishanov the Moler. One of the best-known painters, a representative of the Bansko school of art, a disciple of his father, influenced by the art of Athos. Author of the murals of the naos in the St Archangels' paraclete in the Rila monastery, the murals in the Church of the Assumption of the Virgin in the Pchelino dependance. In 1840 and 1841 together with his son Simeon Molerov he paints the murals and the sponsors' portraits in St. Nicholas' and St. John of Rila's paracletes in the principal church in the Rila monastery. Among D. Molerov's major achievements in iconography are the following icons: St. Nicholas (1816) from St. Archangel Michael's church in the village of Leshko, Christ All-triumphant with Angels and Cherubim (1833), The Nativity and a Crucifixion from St Elijah the Prophet's church in the village of Usenovo. He has also worked in Belgrade on an invitation by Prince Milosh Obrenovich of Serbia. He died in 1870 in Bansko.
		
	
	
		
	
	
		Dimmensions (cm): 
		
		98
		
		
		/ 75
				
		
		/ 2.5
		
	
	
		Location
		
			Country: Bulgaria
		
		
			Province: Blagoevgrad
		
		
		
		
			Monastery: Rila Monastery
		
		
			Church: The Nativity of the Virgin
		
		
		
		
		
		
			Other location: In the southern ark in the naos
		
	
	
		Source
		
			Country: Bulgaria
		
		
			Province: Blagoevgrad
		
		
		
		
			Monastery: Rila monastery
		
		
			Church: The Nativity of the Virgin
		
		
		
		
		
		
	
	
	
	Description
	A traditional iconographic composition on this theme, with a rich modelling of the garments and the faces of the figures. A rich interplay of colours.
	
	
		Iconographical technique: Tempera
		
			With velaturas, probaster and a rich gilding on the garments of the disciples, of the angels and of Christ.
		
	
	
		Base material: Wood
		
			The icon's base is of two softwood panels, joined by means of two inserted beams. The ground coat is of plaster, laid thinly and well-smoothed.
		
	
	
	State, restoration traces and comments
	There are silver repousse covers, very precisely engraved, over the nimbi of all the figures.
There are no traces of any previous restorative intervention. The icon carries a donor's inscription.
	
 
	
	