The Dormition of the Virgin

Type: Icon

Period: From the beginning of the 19 century to the end of the 19 century

Author: Unknown

School: Bansko Iconographic School

Dimmensions (cm): 36 / 25 / 2.5

Location

Country: Bulgaria

Province: Blagoevgrad

Village: Eleshnitsa

Church: St. Athanasius

Source

Country: Bulgaria

Province: Blagoevgrad

Village: Eleshnitsa

Church: St. Athanasius

Description

The composition is a traditional one, vertical, with many figures and developed against a background of an architectural scape. Portrayed in the center is the Holy Mother of God, lying on her death bed. Painted around her are eight of the apostles and four hierarchs of the Church, holding open books. Standing in the middle, around the bed of the Holy Mother of God, are her mourners, the apostles Peter and Paul. On the left-hand side, above the group of the apostles, are the figures of the women-mourners, relatives of the Holy Mother of God. Portrayed in the foreground, in front of the death bed, is St. Archangel Michael, who is cutting off the hands of Hiephonius, who had tried to topple the sarcophagus of the Mother of God During the funeral procession, but had been punished right away by the Archangel. Portrayed in full length, above the central group, is Christ in radiance, dressed in a white chiton and wrapped in a blue himation. In his left hand he is holding a little figure in swaddling clothes, symbolizing the soul of the Holy Mother of God, and with his right hand he is blessing.

Iconographical technique: Tempera

The layer of the painting is a thin one, with a smooth texture. The images, their modelling and their forms, are roughly and primitively executed. Many of the details are rendered conventionally. The varnish cover is thick and evenly laid on the icon. The gilding on the icon is made on bole with gold-leaf.

Base material: Wood

The layer of the painting is a thin one, with a smooth texture. The images, their modelling and their forms, are roughly and pri¬mitively executed. Many of the details are rendered conven¬tionally. The varnish cover is thick and evenly laid on the icon.

State, restoration traces and comments

There are no traces of any previous restoration work.